13 Going on 30 The Musical

For fans of the 2004 film starring Jennifer Garner and Mark Ruffalo, 13 Going on 30 at Manchester Opera House was an energetic, nostalgic delight.

Penned by the same husband-and-wife team, Josh Goldsmith and Cathy Yuspa, the musical stays true to the film’s heart, balancing humour with poignant life lessons. Even for newcomers, this production stands strong on its exceptionally well-coordinated feet.

The story follows a classic ‘be careful what you wish for’ arc, encouraging gratitude and a gentle reminder to see life through innocent eyes.

Jenna Rink, a frustrated 13-year-old desperate to join the cool ‘Six Chicks’, led by teen queen bee Lulu, longs for the seemingly glamorous life seen in the pages of Poise magazine where The Dream is pitched as being “Thirty, flirty and thriving”. Instead, she and her best friend Matty (who secretly adores her and would love to shift out of their ‘friend zone’) are often ostracised simply for being themselves.

A magical twist on her 13th birthday catapults Jenna forward 17 years, where she’s now Poise’s high-flying editor, dating an ice hockey star and besties with Lucy (formerly Lulu).

What unfolds is a journey of confusion, humility and rediscovery.

Lucie Jones as Jenna delivers effortless vocal range and power, while David Hunter’s Matt brings a warm, shifting energy to his solos.

The duets between adult and child Jenna (Amelia Minto) and Matt (Max Bispham) showcase impressive vocal control and harmony. Tender moments between Lucie and her younger co-star indicated the cast’s compassionate and kind dynamic.

The supporting cast shines, particularly both Lucys, with the adult character being gifted some killer one-liners. Jenna’s boyfriend Alex, a hilarious Canadian ‘himbo’, steals scenes with Zoolander-esque flair. Caleb Roberts as Poise publisher Richard channels camp Tim Curry vibes, while young neighbour Becky (Emmeline D’Arcy Walsh) inspires Jenna to underscore the show’s message.

Visually, clever devices like background projections streamline the timeline, while symbolic colour use – Jenna’s vibrant 13-year-old tastes against the monochrome ‘Corporate’ world – enhances the narrative.

Group numbers, though occasionally generic, are slick, with spirited choreography uniting adult and child casts. The 'Thriller' moment was epic – whichever generation you’re from.

This high-energy, heartfelt production, with its blend of soaring solos, witty humour and dynamic visuals, is a brilliant night out for all ages.