15 December 2021
Newsdesk
Hampstead Theatre is delighted to announce the full cast and creative team for the world premiere of Florian Zeller’s new play, The Forest. Running from 5 February until 12 March 2022, The Forest is translated by Zeller’s long-time collaborator Christopher Hampton, and directed by Jonathan Kent, who re-unites with Zeller after his critically acclaimed production of The Height of the Storm.
Toby Stephens (Lost in Space, Netflix; Oslo, National Theatre, West End), Gina McKee (Bodyguard, BBC One; Di and Viv and Rose, Hampstead Theatre), Paul McGann (Withnail and I, HandMade Films, Doctor Who, BBC One) and Angel Coulby (Merlin, BBC One; Good People, Hampstead Theatre) are joined in the cast by Millie Brady (Roadkill, BBC One; The Queen’s Gambit, Netflix), Silas Carson (Phantom Thread, Universal Pictures; Drawing the Line, Hampstead Theatre), Finbar Lynch (Indecent, Menier Chocolate Factory; Girl From The North Country, West End), Sakuntala Ramanee (Romeo and Juliet, RSC; East Is East, Jamie Lloyd-UK tour) and Eddie Toll (Stephen, ITV; Ivan and the Dogs, Young Vic).
Director Jonathan Kent will be joined by designer, Anna Fleischle; lighting designer, Hugh Vanstone; sound designer, Isobel Waller-Bridge; casting director, Lotte Hines and associate designer and costume co-designer, Jasmine Swan.
Jonathan Kent, director of The Forest, said:
“Zeller’s mysterious and fascinating new play is unlike anything he’s written before and, in fact, unlike anything I’ve ever directed. It demands all the creative and inventive talents of the remarkable company of actors I’ve been lucky enough to assemble.”
***
“He can’t help himself and he plunges into the forest…until the moment it dawns on him: night has fallen and he is completely lost.”
At this turning-point of his life, Pierre finds himself tormented by the conflicting demands of family, career and sexual desire. His struggle to resolve this crisis, without fracturing his marriage or compromising his moral code, is explored in unsettling ways.
I’m telling you a story, if that’s all right by you. Apparently, you’ve no objection to telling stories yourself. Am I right?
Florian Zeller’s play The Father (Wyndham’s) has the status of a modern classic and the screen adaptation won the 2021 Academy Award for Zeller and Christopher Hampton. His recent plays in London include The Son (Duke of York’s), The Height of the Storm (Wyndham’s), The Mother (Kiln Theatre), The Truth (Wyndham’s) and The Lie (Menier Chocolate Factory).
Multiple-award winning playwright and screenwriter Christopher Hampton won an Academy Award for his screen adaptation of his play Les Liaisons Dangereuses (as Dangerous Liaisons). He was also nominated for adapting Ian McEwan’s novel Atonement in 2007. Hampton has previously adapted Zeller’s The Father, The Mother and The Truth.
Jonathan Kent returns to Hampstead Theatre, having previously directed Good People (2014) and The Slaves of Solitude (2017). Kent’s recent credits include Talking Heads (BBC and Bridge Theatre), The Height of the Storm (Wyndham’s), A German Life (The Bridge), Long Day’s Journey into Night (Broadway) and Peter Gynt (National Theatre).
***
Hampstead Theatre is currently staging Alan Plater’s Peggy For You, directed by Richard Wilson and starring Tamsin Greig in the title role, until 29 January 2022. Peggy For You is based on the life of Alan Plater's former agent, the legendary Peggy Ramsay. Greig is joined by Josh Finan, Trevor Fox, Danusia Samal and Jos Vantyler in this Olivier-nominated play (2001), which received its world premiere at Hampstead Theatre in 1999.
The world premiere of Folk, Nell Leyshon’s beautiful play with songs, will debut at Hampstead Theatre Downstairs from 18 December until 5 February 2022, with direction by Artistic Director Roxana Silbert. Inspired by a true story and set in Leyshon’s home county of Somerset, Folk features Ben Allen, Sasha Frost, Mariam Haque and Simon Robson.
WORLD PREMIERE: THE FOREST
Playwright Florian Zeller
Translator Christopher Hampton
Director Jonathan Kent
Designer Anna Fleischle
Lighting Designer Hugh Vanstone
Sound Designer Isobel Waller-Bridge
Casting Director Lotte Hines
Associate Designer & Costume Co-Designer Jasmine Swan
Cast Millie Brady, Silas Carson, Angel Coulby, Finbar Lynch, Gina McKee, Paul McGann, Sakuntala Ramanee, Toby Stephens, Eddie Toll
Dates: Saturday 5 February – Saturday 12 March 2022
Press Night: Monday 14 February at 7pm
Captioned Performance: Tuesday 8 March at 7.30pm with captioned post-show Q&A (socially distanced)
Audio Described Performance: Saturday 12 March at 2.30pm (socially distanced)
Socially Distanced Performances: Wednesday 2 March at 7.30pm & Thursday 3 March at 2.30pm
#HTForest
TIMINGS
Monday – Saturday: 7.30pm
Thursday & Saturday Matinees: 2.30pm
TICKETS
TICKET PRICING FOR PREVIEWS, MONDAYS AND MATINEES:
Full Price: £10/£18/£27/£30
Under 30s/Students: £10/£15*
Seniors: (matinees only): £20/£25
Access: £16
TICKET PRICING FOR TUESDAY – SATURDAY EVENINGS:
Full price: £12/£25/£32/£37
Under 30s/Students: £10/£15*
Access: £16
*Under 30s and Student concession seats are available in Row A (£15) & Band C (£10)
Should any performances need to be postponed, audiences can choose between a full refund or credit to be used for future Hampstead productions.
***
FULL LENGTH BIOS
CREATIVE TEAM
FLORIAN ZELLER – WRITER
Florian Zeller is a French novelist, playwright, screenwriter and filmmaker. He came to prominence with his third novel, The Fascination of Evil, which was awarded the prestigious Prix Interallié and nominated for the Prix Goncourt in 2004.
Between 2004 and 2020 Zeller wrote over 10 plays, including Si tu Mourais; La Vérité (The Truth); Le Mensonge (The Lie); Le Père (The Father); Avant de s’envoler (The Height of the Storm); Une Heure de Tranquillité (A Bit of Peace and Quiet); L’envers du Décor and La Mère (The Mother). They have been produced both in France and around the world. Since The Truth opened in France in 2011, it has been produced in over thirty countries, the London production being nominated for the 2017 Olivier Award for Best Comedy. His most successful play to date, The Father, garnered numerous awards both in France - Molière for Best Play in 2014 – and worldwide. Its London season at Wyndham’s earned nominations for the Evening Standard and Olivier Best Play Awards and won Kenneth Cranham the Olivier for Best Actor. It has been produced in over 45 countries including Spain, China, Brazil, Australia, India, Israel, South Africa, Germany, Italy and Poland as well as on Broadway where it played at the Friedman Theatre starring Frank Langella (Tony Award for Best Actor). The Height of the Storm was produced to great acclaim at Wyndham’s in 2018 with Jonathan Pryce and Eileen Atkins. Directed by Jonathan Kent, it transferred to Broadway in 2019 with the same cast. The Mother was produced in New York at the Atlantic Theatre in 2019 starring Isabelle Huppert. Following its successful London season in 2019 The Son received a further 20 international productions. All of Zeller’s plays have been translated into English by Christopher Hampton.
Zeller directed his first feature film in 2019, The Father starring Anthony Hopkins and Olivia Colman which he co-adapted from his play with Christopher Hampton. The film was awarded two Academy Awards, two BAFTA Awards for Best Adapted Screenplay and for Best Actor and two European Film Festival Awards for European 2021 screenwriter (Florian Zeller and Christpher Hampton) and Best Actor (Anthony Hopkins).
He has just completed his second film, based on his play The Son and starring Hugh Jackman, Laura Dern and Vanessa Kirby.
CHRISTOPHER HAMPTON – TRANSLATOR
Christopher Hampton wrote his first play, When Did You Last See My Mother? at the age of eighteen. Since then, his plays have included A German Life; Visit from an Unknown Woman; The Philanthropist; Savages; Tales from Hollywood; Les Liaisons Dangereuses; White Chameleon; The Talking Cure; Appomattox and All About Eve.
He has written the libretti for three Philip Glass operas and co-written three musicals including Sunset Boulevard.
He has translated plays by Ibsen, Molière, von Horváth, Chekhov, Yasmina Reza (including Art and God of Carnage), Daniel Kehlmann (The Mentor; Christmas Eve) and Florian Zeller (The Son; The Father; The Mother; The Truth; The Lie and The Height of the Storm).
His plays, musicals and translations have so far garnered four Tony Awards, three Olivier Awards, five Evening Standard Awards and the New York Drama Critics’ Circle Award.
Hampton’s many screenplays include Dangerous Liaisons; Total Eclipse; The Quiet American; Atonement; Chéri and A Dangerous Method. He both wrote and directed Carrington; The Secret Agent and Imagining Argentina. His television work includes adaptations of The Singapore Grip; The History Man; Hôtel du Lac and The Thirteenth Tale.
Prizes for his film and television work include an Oscar, two BAFTAs, a Writers’ Guild of America Award, the Prix Italia, a Special Jury Award at the Cannes Film Festival, Hollywood Screenwriter of the Year, and The Collateral Award at the Venice Film Festival for Best Literary Adaptation.
In 2021 his screenplay of The Father, co-written with Florian Zeller won a BAFTA and Oscar for Best Screenplay.
JONATHAN KENT - DIRECTOR
Between 1990 and 2002 Jonathan was joint Artistic Director of the Almeida Theatre, which he founded as a full-time producing theatre. His productions included When We Dead Awaken; All for Love; Medea (also West End/Broadway); Chatsky; The Showman; The School for Wives; Gangster No 1; Tartuffe; The Life of Galileo; The Rules of the Game; Ivanov (also Moscow); The Government Inspector; Naked (also West End); The Tempest; Hamlet (also Broadway) Richard II; Coriolanus (also New York/Tokyo); Phèdre; Britannicus (also West End/New York); Plenty (West End); Lulu (also Washington); Platonov and King Lear.
Other theatre work includes Talking Heads (BBC, Bridge Theatre) and A German Life (Bridge Theatre); The Height of the Storm (Wyndham’s/Broadway); Peter Gynt (co-production with National Theatre and Edinburgh International Festival); Slaves of Solitude; Wild Honey and Good People (all Hampstead Theatre); Sweet Bird of Youth (Chichester Festival Theatre); Long Day’s Journey into Night (Broadway); Le Cid; Mother Courage and Her Children; The False Servant; Oedipus and The Emperor and Galilean (all National Theatre); Man of La Mancha (Broadway); Hamlet (Japan); Hecuba (Donmar); Bond’s Lear (Sheffield Crucible); As You Desire Me (West End); The Country Wife; The Sea and Marguerite (all Theatre Royal Haymarket); Faith Healer (Dublin/Broadway); A Month in the Country (Chichester Festival Theatre); Sweeney Todd (Chichester Festival Theatre/West End); Private Lives (Chichester Festival Theatre/West End); David Hare's Young Chekhov Trilogy: Ivanov; Platonov and The Seagull (Chichester Festival Theatre/National Theatre) and Gypsy (Chichester Festival Theatre/West End).
Opera work includes Elektra and Die Frau ohne Schatten (both Mariinsky St Petersburg); The Fairy Queen (Glyndebourne/Paris/New York); Tosca (Royal Opera House); A Child of Our Time and The Flying Dutchman (both ENO/Royal Danish Opera); Lucio Silla; Kát'a Kabanová; The Tempest; The Marriage of Figaro and The Letter (all Santa Fe); The Turn of the Screw; Don Giovanni and Hippolyte et Aricie (all Glyndebourne) and Manon Lescaut (Royal Opera House).
ANNA FLEISCHLE – DESIGNER
Theatre work includes Once Upon a One More Time (Nederlander); The Collaboration; Hamlet and Death of a Salesman (all Young Vic/West End); Hangmen (Royal Court/West End/Broadway - 2016 Olivier Award for Best Set Designer, Critic’s Circle Award for Best Designer, Evening Standard Award for Best Design); A Kind of People and The Kid Stays in the Picture (both Royal Court - Complicité); Liberian Girl (Royal Court); Two Ladies; A German Life and A Very Very Very Dark Matter (all Bridge); Home, I’m Darling (Theatr Clwyd/National Theatre/West End - 2019 Olivier Award Nomination for Best Set Design & Best Costume Design); The Writer and Before The Party (both Almeida); Everybody’s Talking About Jamie (Sheffield Crucible/West End/UK tour); Rosencrantz and Guildenstern are Dead (Old Vic); Beware of Pity (Schaubuhne, Berlin/Complicité) and John, Can We Talk About This? (National Theatre/DV8/World tour).
Opera work includes Orfeo (upcoming, Vienna Staatsoper) and Weimar Nightfall: Seven Deadly Sins (LA Philharmonic).
Dance work includes Message in a Bottle (Sadler’s Wells/tour) and Second Coming (Scottish Dance Theatre).
Screen work includes Monologue Hub/ Soliloquy (Underexposed Arts).
Installations include The Unforgotten (Young Vic).
Anna is a Founding Member of Scene/Change; an Associate Artist at the Young Vic; a Board Member of Regent’s Park Open Air Theatre and an Ambassador for PiPA
HUGH VANSTONE - LIGHTING DESIGNER
Hugh has worked extensively in the West End and on Broadway, lighting over 200 productions worldwide and receiving many accolades for his work including three Olivier Awards, two TONY Awards and a Molière.
His current lighting design work in the West End is Back to the Future; Mary Poppins and Matilda.
His current lighting design work on tour is Anything Goes and Dreamgirls.
Recent theatre work includes The Height of the Storm; The Birthday Party; Venus in Fur (West End); A Christmas Carol; Groundhog Day (Old Vic/Broadway); Exit the King and The Red Lion (both National Theatre); The Boys in the Band (Broadway); Art (UK tour) and Shrek the Musical (Australia).
Hugh is an associate artist at The Old Vic.
ISOBEL WALLER-BRIDGE - SOUND DESIGNER
Theatre work includes Blood Wedding (Young Vic); The Winter’s Tale and Hecuba (both RSC); The Song Project (Royal Court); The Son (Kiln/West End); Woyzeck (Old Vic); Knives and Hens (Donmar); The Watsons (Chichester Festival Theatre/Menier Chocolate Factory); The End of Longing (Playhouse); King Lear (Chichester Festival Theatre/BAM); Neville’s Island (Duke of York’s); Fleabag (Soho/UK tour/Wyndham’s); The Girl on the Train (West Yorkshire Playhouse); The Philanderer (Orange Tree); The Damned United (West Yorkshire Playhouse); Yellow Face (National Theatre); Billy Liar (Manchester Royal Exchange); Incognito (Bush – OFFIE Award for Best Sound Design) and Orlando (Manchester Royal Exchange).
Television work includes Black Mirror; Fleabag (Royal Television Society Award Nomination for Best Composer); ABC Murders; The Split and Vanity Fair.
Film work includes Munich - The Edge of War; Emma (Ascap Award for Best Soundtrack); Vita and Virginia and Little Bird (short film – Underwire Festival Award for Best Composer).
Commissions: Temperatures for the Philharmonia Orchestra 2021; Siren for Simone Rocha (dance piece starring Francesca Hayward, principal dancer of the Royal Ballet) and Collaboration with Alexander McQueen.
CAST
TOBY STEPHENS
Theatre work includes A Day in the Death of Joe Egg (Trafalgar Studios); Oslo (National Theatre/Harold Pinter); Private Lives (Gielgud); Danton's Death (National Theatre); The Real Thing (Old Vic); A Doll's House and Betrayal (both Donmar); The Pilate Workshop and Hamlet (both RSC); The Country Wife; The Royal Family; Japes and A Streetcar Named Desire (all Haymarket); Ring Around the Moon (Lincoln Centre, NY); Britannicus and Phèdre (both Almeida/BAM); Measure for Measure; A Midsummer Night's Dream; Coriolanus; Unfinished Business; Wallenstein; All's Well That Ends Well; Antony and Cleopatra and Tamburlaine (all RSC) and Tartuffe (Playhouse).
Film work includes Hunter Killer; Journey; 13 Hours: The Secret Soldiers of Benghazi; All Things to All Men; The Machine; Theatre of Dreams; Dark Corners; Severance; The Rising: Ballad of Mangal Pandey; Die Another Day; Space Cowboys; Possession; The Announcement; Onegin; Photographing Fairies; Sunset Heights; Cousin Bette; The Great Gatsby; Twelfth Night and Orlando.
Television work includes Alex Rider; Summer of Rockets; Lost in Space (seasons 1, 2 & 3); Black Sails; And Then There Were None; Vexed; Marple: The Blue Geranium; Strike Back; Robin Hood; Wired; The Wild West; Jane Eyre; Sharpe's Challenge; The Best Man; The Queen's Sister; Waking the Dead; London; Poirot: Five Little Pigs; Cambridge Spies; Napoléon; Perfect Strangers; The Tenant of Wildfell Hall and The Camomile Lawn.
GINA McKEE
Theatre work includes Faith Healer (Donmar); Boudica (Shakespeare’s Globe); The Mother (Ustinov/Tricycle); Di and Viv and Rose (Hampstead Theatre); King Lear (Donmar/UK tour/BAM); Separate Tables (Chichester Festival Theatre); The Lover/The Collection (Harold Pinter); Ivanov (Donmar Wyndham's Season); Aristocrats (National Theatre); Old Times (Donmar); Five Kinds of Silence (Lyric Hammersmith) and Hammett’s Apprentice (Royal Court Upstairs).
Film work includes Typist Artist Pirate King; My Policeman; Phantom Thread; Taj Mahal; Jimmy Picard; In the Loop; When Did You Last See Your Father; Atonement; Scenes of a Sexual Nature; The Blackwater Lightship; Divine Secrets of the Ya Ya Sisterhood; There’s Only One Jimmy Grimble; Women Talking Dirty; Wonderland; Joan of Arc; Notting Hill; The Loss of Sexual Innocence; The Croupier and Naked.
Television work includes Black Narcissus; Catherine the Great; The Rook; Bodyguard; Line of Duty; Emerald City; Hebburn; The Borgias; Missing; Vera; The Silence; Dive; Waking the Dead; Fiona’s Story; The Street 2; The Old Curiosity Shop; The Lost Prince; The Forsyte Saga; Dice; The Passion; Mothertime; Beyond Fear; The Treasure Seekers; Brass Eye and Our Friends in the North.
PAUL McGANN
Theatre work includes Gabriel (Theatre 6); Bad Days & Odd Nights (Greenwich Theatre); Three Sisters (Southwark Playhouse); Major Barbara (Abbey Theatre, Dublin); Butley (Duchess); Helen (Shakespeare’s Globe); The Gigli Concert (Finborough); Mourning Becomes Electra (National Theatre); The Little Black Book (Riverside Studios); A Lie of the Mind (Royal Court) and Loot (Ambassadors).
Film work includes Art Is…; Gypo; My Kingdom; Fairytale: A True Story; The Three Musketeers; The Biographer; Alien 3; Always Crashing in the Same Car; Afraid of the Dark; Paper Mask; The Monk; The Rainbow; Empire of the Sun and Withnail & I.
Television work includes Annika; McDonald and Dodds; Doctor Who; Ripper Street; Moving On; The Titanic Enquiry; Luther; New Tricks; Waking the Dead; Jonathan Creek; Collision; True Dare Kiss; Tripping Over; Agatha Christie’s Marple; Kidnapped; Agatha Christie’s Poirot; Hornblower; Nature Boy; Forgotten; Our Mutual Friend; The One That Got Away; The Hanging Gale; Nice Town; Cariani and the Courtesans and The Monocled Mutineer.
ANGEL COULBY
Theatre work includes Albion (Almeida); Good People (Hampstead Theatre/Noel Coward); Lavender Blue (Edinburgh Lyceum); The Hypochondriac (Young Vic) and A Statement of Regret (National Theatre).
Film work includes The Jacket; Imagine Me and You; Royston Vasey - The Motion Picture and Magicians.
Television work includes Suspicion; Moving On; The Tunnel (3 Series); Man in an Orange Shirt; Innocent; Hooten and the Lady; Undercover; Dancing On the Edge; Merlin (5 series); Life Is Wild; Blue Murder: Crisis Management; Small Time; Talk to Me; Doll Hospital; Secret Life; New Street Law; The Bill; Fear, Stress and Anger; Tripping Over; Doctor Who; Legless; Hustle; Vincent (2 series); Holby City; Conviction; M.I.T: Murder Investigation Team; Gods & Goddesses: The Odyssey; Making Waves; Merseybeat; As If; Manchild; Second Coming; Having it Off; A Good Thief; Casualty and 'Orrible.
MILLIE BRADY
The Forest is Millie’s professional theatre debut.
Film work includes King Arthur: Legend of the Sword; Pride and Prejudice and Zombies; Teen Spirit and Legend.
Television work includes Roadkill; The Queen's Gambit; White House Farm; The Last Kingdom (series 2, 3, 4 & 5) and Mr Selfridge.
SILAS CARSON
Theatre work includes Romeo and Juliet and The Captive Queen (both Shakespeare’s Globe); Run, Sister Run (Sheffield Crucible/Soho); Occupational Hazards and Drawing the Line (both Hampstead Theatre); Half Life (Theatre Royal, Bath); A Midsummer Night's Dream (Northampton); The Prophet (Gate); The Comedy of Errors (National Theatre); Ruined (Almeida); Arabian Nights (RSC); Much Ado About Nothing (Regent’s Park); Baghdad Wedding (Soho); Macbeth (Almeida); Homebody/Kabul (Young Vic); A View From the Bridge (Sheffield Crucible); Shakuntala (Gate); A Doll's House (Young Vic); Romeo and Juliet (Lyric Hammersmith); The Taming of the Shrew (Edinburgh); Twelfth Night (Playhouse) and Wuthering Heights (York).
Film work includes The Corrupted; Phantom Thread; Postcards from London; Miss You Already; Dying of the Light; Locke; Blood Cells; Clean Skin; Pimp; Boogie Woogie; Franklyn; Flawless; Chromophobia; Hidalgo; Star Wars Trilogy; Josephine; Jeremiah; Feverpitch and Horse Opera.
Television work includes Des; Strike; The Other One; The Accident; Sick of It; Silent Witness; Trust; New Blood; Unforgotten; Indian Summers; The Casual Vacancy; The 'C' Word; Glue; Transporter; Strikeback; Holby City; How Not to Live Your Life; The Philanthropist; Hunter; Bonekickers; Outnumbered; The IT Crowd; Warriors; Hustle; The Ten Commandments; Spooks; Absolute Power; The Grid; Lie with Me; Waking the Dead; The Project; A & E; Metrosexuality; Innocents and Cold Lazarus.
FINBAR LYNCH
Theatre work includes Indecent (Menier Chocolate Factory); Girl from the North Country (Toronto/Coward); The Lady from the Sea (Donmar); Richard III (Almeida); Antigone (Barbican/World tour); Desire Under the Elms (Lyric Hammersmith); The Fairy Queen (Glyndebourne/Paris/NY); Faith Healer (Bristol Old Vic); The Fastest Clock in the Universe (Hampstead Theatre); Dancing at Lughnasa and The Duchess of Malfi (both London Old Vic); A Doll's House (Theatre Royal, Bath); Ma Rainey’s Black Bottom; The Hothouse; Antony and Cleopatra and King Lear (all National Theatre); Not About the Nightingales (National Theatre/Broadway); Ghosts (Gate); As You Desire Me (Playhouse); The Birthday Party (Duchess); Hecuba; Fool for Love; To the Green Fields Beyond and Translations (all Donmar); Three Sisters (Royal Court); Midsummer Night's Dream; Coriolanus; The Alchemist; A Woman Killed With Kindness; The Two Gentlemen of Verona and Julius Caesar (all RSC); The Playboy of the Western World (Abbey, Dublin); Fathers & Sons and Peer Gynt (both Gate, Dublin).
Film work includes York Witches Society; The Little People; The World We Knew; Black 47; Property of the State; Departure; Suffragette; Child 44; The Numbers Station and Mathilde.
Television work includes Jack Ryan; Treadstone; The Mallorca Files; The Feed; Foyle's War; DCI Banks; Breathless; Game of Thrones; Silk; Richard II; Proof (Series 1 & 2); Waking the Dead; Red Cap; Mind Games and Small World.
SAKUNTALA RAMANEE
Theatre work includes Victorian Women (Liverpool Athenaeum); Vixen (Damsel outdoors theatre Productions); Romeo and Juliet (RSC 18/19 season Stratford/Barbican/UK tour); The Permanent Way (Vaults); Bring on the Bollywood (Phizzical Theatre Company - Belgrade Coventry/UK tour); East is East (Jamie Lloyd - UK tour); Trident Moon (Finborough); Our Children (Theatre503); Dead Eye (Soho/Birmingham Rep); Camille (Lyric Hammersmith); Mystery Plays (Belgrade Coventry) and India Song (Clwyd Mould).
Film work includes Devil Seeds; The Gatehouse and The Butterfly Effect.
Television work includes The Bay; DI Ray; Line of Duty; EastEnders; Coronation Street; Holby City; Whitechapel; Trial and Retribution and Hustle.
Radio work includes Midnight’s Children and Memories.
EDDIE TOLL
Theatre work includes Van and the Dogs (Young Vic); The Numerous and Varied Assassinations of Oliver Cromwell (The Keeper's Daughter Theatre Company); Arnika (Théâtre Volière); Club Forty-Four (Soho); The Comedy of Errors (HoldFast Theatre Company); Dreams from the Pit (Palace); Anastasia (Walking Thoughts Theatre Company); The Toll (Savio(u)r Theatre); The Robbers (The Faction Theatre Company) and Macbeth (UK tour).
Film work includes The Little Stranger; World War Z and Hard to Get.
Short film work includes Roger; Holmgang; Big Dog and Confession.
Television work includes Casualty; Atlanta (season 3); Motherfatherson; The Rook and McMafia.
