Sheffield Theatres today announces its latest programme of work, featuring new productions in the Crucible in the autumn, Christmas 2021 and into the spring of 2022, alongside a bumper season of visiting productions in the Lyceum and Studio.
Beginning the new season in the Crucible is Typical Girls by Morgan Lloyd Malcolm from Friday 24 September – Saturday 16 October 2021. A new punk musical play co-produced with Clean Break and directed by the company’s Joint Artistic Director Róisín McBrinn. In a mental health unit inside a prison, a group of women form a punk rock band to allow an outlet for their frustration. They find remedy in revolution, but in a system that suffocates, can rebellion ever be allowed?
Directed by Michael Grandage, Sheffield Theatres’ former Artistic Director, The Lemon Table is co-produced with Malvern Theatres, Wiltshire Creative and HOME in association with MGC, and plays in the Crucible from Tuesday 26 – Saturday 30 October. In The Lemon Table, Julian Barnes brings his unsentimental, wryly comic, perspective to the complicated business of ageing, with its attendant, and often bizarrely, fluctuating emotions.
For Christmas, Artistic Director Robert Hastie directs the romantic comedy She Loves Me, from Saturday 11 December 2021 - Saturday 15 January 2022. From the writers of Fiddler on the Roof and based on the story that inspired the movie You’ve Got Mail, the musical focuses on two parfumerie clerks who clash at work but, unbeknownst to them, both live for the anonymous love letters they exchange.
After Christmas, Regional Theatre Young Director Scheme Associate Artistic Director Anthony Lau directs Anna Karenina, adapted by Helen Edmundson. This bold new production of Tolstoy’s epic masterpiece about desire, duty and defiance runs from Saturday 5 – Saturday 26 February 2022.
Robert Hastie, Artistic Director of Sheffield Theatres said:
‘’We’re so excited to announce new productions. Making theatre again for our audiences and with our communities, working with talented artists and brilliant partners, is what we’re here for, and what everyone who loves theatre in Sheffield has striven so hard to protect.
We kick off with the world premiere of a new play by one of the UK’s most remarkable writers. For Typical Girls, by Morgan Lloyd Malcolm, we’re thrilled to be working with the fantastic company Clean Break. Part gig, part-play this riotous new show sees a group of women light up through their journey into punk rock.
Then at Christmas we bring old school elegance and a whole heap of romance to the Crucible with She Loves Me. A show full of charm, a soaring score, and all the magic of the festive season.
Then, to begin 2022, Anthony Lau directs Leo Tolstoy’s epic masterpiece Anna Karenina, a play that asks us how we lead this one life we have.
All of our stages come alive with the work of brilliant creatives, casts and companies over the coming months. In welcoming friends old and new, it is wonderful to have previous Artistic Director Michael Grandage back to the Crucible with The Lemon Table ahead of our 50th anniversary year. And outside our walls, our work across the city continues to engage with Sheffielders of all ages, most excitingly as we prepare for October’s visit from Little Amal, the giant puppet girl at the centre of Good Chance’s ground-breaking project, The Walk.
We’re incredibly grateful to everyone who has supported us over the last 16 months. As we prepare to reopen all three of our theatres once more we can’t wait to share this bumper-crop of work with all our audiences who we have missed so much.”
At Christmas - together with She Loves Me in the Crucible - this year’s pantomime Sleeping Beauty will be back in the Lyceum with Sheffield legend Damian Williams at the helm for more laughs, adventure and family fun, from Friday 3 December 2021 through to Monday 3 January 2022. Completing the festive programme, Little Angel Theatre Company’s The Pixie and the Pudding takes centre stage in the Studio – a magical delight for children and adults alike to enjoy from Saturday 11 December – Sunday 2 January.
The Lyceum will reopen on Monday 16 August with Hairspray, which is then followed by a host of new touring productions. The Studio will also host a full programme this autumn including a devised project by Sheffield People’s Theatre Young Company in collaboration with multi award-winning, Yorkshire-based gig-theatre company Silent Uproar.
In addition to the season of shows, Sheffield Theatres is also proud to host The Walk from Friday 29 October. The Walk is an international project with Good Chance and Handspring Puppet Company. Sheffield Theatres will be the lead partner to welcome Little Amal, a 3.5m puppet of a 10-year-old refugee girl, to Sheffield on her 8000km journey from the Syria-Turkey border through Europe to Manchester. Full listings for all performances across Sheffield Theatres below.
Tickets for all new and rescheduled shows will be going on sale to Centre Stage Members at 10am on Saturday 10 July and on general sale at 10am on Saturday 17 July. Accessible performances are available on the majority of productions. Sheffield Theatres will continue to offer at least one socially distanced performance for each production taking place in the Crucible. Tickets can be booked through the Box Office in person, over the phone on 0114 249 6000 or at sheffieldtheatres.co.uk.
CRUCIBLE THEATRE
A Sheffield Theatres and Clean Break Production
World Premiere
TYPICAL GIRLS
By Morgan Lloyd Malcolm
Director Róisín McBrinn
Designer Kat Heath
Friday 24 September – Saturday 16 October 2021
Opening night Tuesday 28 September, 7pm
In a mental health unit inside a prison, a group of women discover the music of punk rock band The Slits and form their own group. An outlet for their frustration, they find remedy in revolution. But in a system that suffocates, can rebellion ever be allowed?
Part-gig, part-play, Typical Girls is funny, fierce and furious.
This production was originally co-commissioned by Clean Break with the Royal Shakespeare Company who also contributed to its early development.
Morgan Lloyd Malcolm is a playwright and screenwriter. Morgan was commissioned by The Globe to write Emilia which became a hit show in summer 2018 before transferring to the West End in 2019. In 2020 Emilia won three Olivier awards including best entertainment and comedy play. Previous theatre credits include: Belongings (Hampstead Theatre and Trafalgar Studios/West End) and The Wasp, (Hampstead Theatre and Trafalgar Studios/West End). Morgan has also co-written several acclaimed immersive site-specific plays with Katie Lyons, produced by Look Left Look Right, including You Once Said Yes, Above and Beyond and Once Upon a Christmas. She was part of the writing team for four of the Lyric Hammersmith’s pantomimes from 2009 - 2012 and wrote (solo) the Bolton Octagon’s Christmas plays for 2013 and 2014. Her new play Mum will premiere at Soho Theatre this autumn. Current screen work includes an original treatment for Gaumont, an untitled book adaptation for Gaumont/Moonage and two episodes of a comedy drama for Merman Films. She is also under commission to adapt both Emilia and The Wasp as feature films.
Róisín McBrinn returns to Sheffield Theatres having directed Afterplay. Róisín is Joint Artistic Director of Clean Break. She has over fifteen years' experience as a theatre director working in the UK, Ireland and internationally. For Clean Break, credits include: Blis-ta (audio drama); Thick As Thieves (Theatr Clwyd); Joanne (Soho Theatre and RSC) and House/Amongst The Reeds (Yard Theatre). Other theatre credits include: A Taste of Honey, No Escape, Perve, and Heartbreak House (The Abbey Theatre, Dublin); The Snapper (The Gate Theatre, Dublin); Yerma (Leeds Playhouse); The Tricycle (The Field). As Associate Director for Sherman Theatre, credits include: Before it Rains, Sleeping Beauties and It's A Family Affair. Her awards include the Quercus Award (National Theatre) and the Young Vic Jerwood Young Directors' Award. She has been nominated for the Irish Times Best Director Award.
CRUCIBLE THEATRE
A Sheffield Theatres Production
SHE LOVES ME
Book by Joe Masteroff
Music by Jerry Bock
Lyrics by Sheldon Harnick
Based on a play by Miklós László
Originally directed on Broadway by Harold Prince
Originally produced on Broadway by Harold Prince
in association with Lawrence N. Kasha and Philip C. McKenna
Presented by arrangement with Music Theatre International
Director Robert Hastie
Designer Ben Stones
Movement Director Ewan Jones
Casting Director Stuart Burt CDG
Saturday 11 December 2021 - Saturday 15 January 2022
Opening night Thursday 16 December, 7pm
Amalia and Georg work together in a parfumerie in a picturesque Hungarian town. Constantly clashing, the two colleagues are at odds on the shop floor. But they do have one thing in common. They’ve both answered a lonely hearts advert and now live for the letters they exchange, unaware of the identity of their true loves. As they count down the shopping days to Christmas, love and snowflakes are in the air.
A glorious romantic comedy musical by the writers of Fiddler on the Roof, based on the story that inspired You’ve Got Mail, She Loves Me will warm even the chilliest of winter evenings.
Directed by Robert Hastie (Guys and Dolls, Standing at the Sky’s Edge).
Joe Masteroff (1919-2018) was best known as the book writer for the Tony Award-winning Cabaret, as well as for She Loves Me. Coming to New York from Philadelphia after attending Temple University and serving in the U.S. Air Force, he was represented in New York City by the play The Warm Peninsula, the libretto for an operatic version of Eugene O'Neill's Desire Under the Elms, and the book and lyrics for a recent production of Six Wives at the York Theatre Company.
Jerry Bock (1928-2010) was born in New Haven, Connecticut. Theatre credits include: The Body Beautiful (with Sheldon Harnick. Philadelphia); Catch a Star and Mr. Wonderful (with Jule Styne, Tommy Valando, Larry Holofcener and George Weiss. Starring Sammy Davis Jr. and featuring the title song Too Close For Comfort). Theatre credits with Sheldon Harnick include: The Body Beautiful; Fiorello! (winner of Broadway's triple crown: The Tony Award, The New York Critics' Circle Award and The Pulitzer Prize in drama, the fourth musical to do so); Tenderloin, She Loves Me (winner of Variety's poll of critics as best musical, citing Bock and Harnick as best composer and lyricist); Fiddler on the Roof (nine Tonys, notably the citation for best musical of the year); The Apple Tree and The Rothschilds. Fiddler on the Roof, She Loves Me, The Rothschilds (revised as Rothschild & Sons), and The Apple Tree have enjoyed numerous revivals on and off-Broadway. Bock and Harnick were triply honoured by being inducted into the Theatre Hall of Fame, receiving the Johnny Mercer Award from the Songwriters Hall of Fame and the Spirit of American Creativity Award from the Foundation for a Creative America. But the ‘award’ that Bock held dearest was the honorary Doctor of Humane Letters degree from the University of Wisconsin, for it was there that he met his wife Patti, and it was there that he decided to be a composer.
Sheldon Harnick’s career began in the 1950s with songs in revues such as The Boston Beguine and The Merry Little Minuet. Theatre credits with Jerry Bock include: Fiorello! (Tony Award, Pulitzer Prize), Tenderloin, She Loves Me (Grammy), Fiddler on the Roof (Tony), The Apple Tree and The Rothschilds (subsequently revised as Rothschild & Sons). Other collaborations include: Rex (Richard Rodgers); A Christmas Carol (Michel Legrand); A Wonderful Life (Joe Raposo); The Phantom Tollbooth (Arnold Black, Norton Juster) and The Audition (Marvin Hamlisch). He has written three musicals himself: Dragons, A Doctor in Spite of Himself, and Malpractice Makes Perfect. He and his wife Margery currently reside in New York City.
Robert Hastie is Artistic Director of Sheffield Theatres. For Sheffield Theatres, credits include: The Band Plays On, Coriolanus, Guys and Dolls, Standing at the Sky’s Edge, A Midsummer Night’s Dream, The York Realist, The Wizard of Oz, Of Kith and Kin and Julius Caesar. Other theatre credits include: Macbeth (Shakespeare’s Globe); Breaking the Code (Royal Exchange Manchester); Henry V (Regent’s Park Open Air Theatre); Cat on a Hot Tin Roof (Theatr Clwyd); My Night with Reg, Splendour (Donmar Warehouse/West End); Carthage, Events While Guarding The Bofors Gun (Finborough Theatre); Sunburst (Holborn Grange Hotel); Sixty-Six Books (Bush Theatre) and A Breakfast of Eels (Print Room).
CRUCIBLE THEATRE
A Sheffield Theatres Production
ANNA KARENINA
By Leo Tolstoy
Adapted by Helen Edmundson
Director Anthony Lau
Saturday 5 – Saturday 26 February 2022
Opening night Thursday 10 February, 7pm
There are as many kinds of love, as there are hearts
Admired but unfulfilled, Russian socialite Anna is faced with a choice - remain with her husband to keep her beloved child, or risk ruin in the pursuit of passion.
How do we choose to live the one life we have?
A bold new production of Tolstoy’s epic masterpiece about desire, duty and defiance.
Helen Edmundson’s recent plays include; Small Island (National Theatre); Queen Anne (Haymarket Theatre); Therese Raquin (Roundabout Theatre, NY); The Heresy of Love (RSC/Globe Theatre); The Clearing (Bush Theatre); Mother Teresa is Dead (Royal Court) and Mary Shelley (The Tricycle/tour). Other work includes: Coram Boy (National Theatre/Broadway); a new version of Calderon’s Life is a Dream (The Donmar); a musical adaptation of Swallows and Amazons, written with composer Neil Hannen (Bristol Old Vic/West End/tour) and Thérèse Raquin (Bath Theatre Royal/tour). She has written a number of other adaptations including Anna Karenina and Mill on the Floss, which toured nationally and internationally, and War and Peace, first staged at The National Theatre. Away from the theatre, Helen has also written the feature film Mary Magdalene starring Joaquin Phoenix and Rooney Mara (See-Saw Films/Film4), An Inspector Calls for the BBC and her episodes of The Suspicions of Mr. Whicher were seen on ITV in 2014. Her adaptation of PD James’ Adam Dalgleish novels are currently in production. Helen has been the recipient of several awards, including a John Whiting Award for The Clearing, a TMA Award for Anna Karenina and Time Out Awards for Mill on the Floss and Coram Boy.
Anthony Lau is RTYDS Associate Artistic Director at Sheffield Theatres. He was previously Laboratory Associate Director at Nuffield Southampton Theatres and trained as a director at LAMDA and at the National Theatre Studio. For Sheffield Theatres, credits include: The Band Plays On (Co-Director). Credits as Director include: The Shadow Factory revival and Juicy and Delicious (Nuffield Southampton Theatres); A Better Man and The Cherry Orchard parallel project (Young Vic); The Common Land (Rose Theatre Kingston); Dreaming in America (Shoreditch Town Hall); Still Life/Red Peppers (Old Red Lion); The Taste of Us (HighTide Festival) and I Am a Camera (Southwark Playhouse). As Associate Director: The Shadow Factory (Nuffield Southampton Theatres). As Staff Director at the National Theatre: ANNA.
CRUCIBLE THEATRE
A Sheffield Theatres co-production with Malvern Theatres, Wiltshire Creative and HOME in association with MGC
Ian McDiarmid in
THE LEMON TABLE
By Julian Barnes
Directed by Michael Grandage
Tuesday 26 – Saturday 30 October
Opening night Tuesday 26 October, 7.15pm
In The Lemon Table, Julian Barnes brings his unsentimental, wryly comic, perspective to the complicated business of ageing, with its attendant, and often bizarrely, fluctuating emotions. Olivier and Tony Award-winning Ian McDiarmid and Michael Grandage have collaborated to bring The Lemon Table to the stage for the first time. In McDiarmid’s one man performance we encounter a spectrum of bitter-sweet pleasures, wild eccentricity and dark secrets.
Julian Barnes is the author of several books of stories, essays, a translation of Alphonse Daudet's In the Land of Pain, and numerous novels, including the 2011 Man Booker Prize winning novel The Sense of an Ending and the acclaimed The Noise of Time. His other recent publications include Keeping an Eye Open: Essays on Art and The Only Story. His most recent book The Man in the Red Coat was published in the UK in 2019 and in the US in 2020. Barnes has received several awards and honours for his writing, including the David Cohen Prize for Literature in 2011.
Michael Grandage is Artistic Director of the Michael Grandage Company (MGC), based in London. For the company he directed The Lieutenant of Inishmore with Aidan Turner, Red with Alfred Molina and Alfred Enoch, Photograph 51 with Nicole Kidman, Hughie with Forest Whitaker, Henry V with Jude Law, A Midsummer Night’s Dream with Sheridan Smith and David Walliams, The Cripple of Inishmaan with Daniel Radcliffe, Peter and Alice with Judi Dench and Ben Whishaw and Privates on Parade with Simon Russell Beale and Dawn French: 30 Million Minutes; and the feature film Genius with Colin Firth, Nicole Kidman and Jude Law, and the forthcoming My Policeman with Harry Styles and Emma Corrin. He was Artistic Director of the Donmar Warehouse (2002–2012) and Artistic Director of Sheffield Theatres (2000–05), and is currently President of Central School of Speech and Drama. He is the recipient of Tony, Drama Desk, Olivier, Evening Standard, Critics’ Circle and South Bank Awards. He was appointed CBE in the Queen’s Birthday Honours 2011. His production of Frozen will reopen Theatre Royal Drury Lane later this year.
Wiltshire Creative
Wiltshire Creative brings together Salisbury Arts Centre, Salisbury International Arts Festival and Salisbury Playhouse. Salisbury Playhouse is one of Britain’s leading producing theatres, with a national reputation for home-grown work of the highest quality that attracts audiences from across Wiltshire, Hampshire, Dorset and beyond. Recent theatre productions include the world premieres of Blood Wedding by Barney Norris and The Mirror Crack’d by Rachel Wagstaff. Recent audio and digital productions includes the world première of Making Massinger by Simon Butteriss, the British première of Call Cutta at Home by Rimini Protokoll and Shift a significant youth led project amplifying young voices.
www.wiltshirecreative.co.uk
Twitter, Instagram and Facebook: @WiltsCreative
Malvern Theatres
Nestling at the foot of the Malvern Hills, Malvern Theatres is a major centre for the arts in the West Midlands. Home of the famous Malvern Festivals, founded by Bernard Shaw and Barry Jackson in 1929, the theatre underwent a lottery-funded refurbishment in 1997. Hailed both locally and nationally as a model of artistic and architectural excellence, Malvern Theatres boasts one of the most diverse selection of plays, music, comedy, dance, film and education work to be found under a single roof anywhere in the country.
www.malvern-theatres.co.uk
HOME Manchester
HOME is Manchester’s centre for international contemporary culture. Since opening in May 2015, HOME has welcomed over three million visitors to its two theatres, five cinemas, art gallery, book shop and restaurants. HOME works with international and UK artists to produce extraordinary theatrical experiences, producing an exciting mix of thought-provoking drama, dance and festivals, with a strong focus on international work, new commissions and talent development.
HOME’s ambition is to push the boundaries of form and technology, to experiment, have fun, take risks and share great new art with the widest possible audience. The patrons of HOME are Danny Boyle, actress Suranne Jones, playwright and poet Jackie Kay CBE, artists Rosa Barba and Phil Collins, filmmaker Asif Kapadia, and actress and author Meera Syal CBE.
www.homemcr.org | @HOME_mcr | Facebook HOMEmcr
Michael Grandage Company
MGC is a London based production company that produces work across all media, nationally and internationally. The company has also established a general management service and looks after a select group of creative practitioners.
Since launching in 2012 their work includes Privates on Parade with Simon Russell Beale, Peter and Alice with Judi Dench and Ben Whishaw, The Cripple of Inishmaan with Daniel Radcliffe, A Midsummer Night’s Dream with Sheridan Smith and David Walliams and Henry V with Jude Law as part of a year long season at the Noël Coward Theatre, Dawn French: 30 Million Minutes (national and international tour and West End), The Dazzle with Andrew Scott (Found111), Photograph 51 with Nicole Kidman (Noël Coward Theatre), Hughie with Forest Whitaker (Broadway), Labour of Love with Martin Freeman and Tamsin Greig (Noël Coward Theatre – Olivier Award for Best New Comedy), Red with Alfred Enoch and Alfred Molina (Wyndham’s Theatre) and The Lieutenant of Inishmore with Aidan Turner (Noël Coward Theatre); and the feature films Genius with Colin Firth, Jude Law and Nicole Kidman; and the forthcoming My Policeman with Harry Styles and Emma Corrin.
www.michaelgrandagecompany.com
Twitter: @michaelgrandage
Facebook/Michael-Grandage-Company
Instagram: michaelgrandagecompany
Listings:
Crucible Theatre Productions
Typical Girls
Friday 24 September – Saturday 16 October
Crucible Theatre, Sheffield
Tue – Sat - 7.15pm
Thu, Sat – 2.15pm
Opening Night: Tue 28 September, 7pm
She Loves Me
Saturday 11 December 2021 - Saturday 15 January 2022
Crucible Theatre, Sheffield
Tue – Sat - 7.15pm
Thu, Sat – 2.15pm
Opening night Thu 16 December, 7pm
Anna Karenina
Saturday 5 – Saturday 26 February 2022
Crucible Theatre, Sheffield
Tue – Sat - 7.15pm
Thu, Sat – 2.15pm
Opening night Thu 10 February, 7pm
The Lemon Table
Tuesday 26 – Saturday 30 October
Crucible Theatre, Sheffield
Tue – Sat - 7.15pm
Thu, Sat – 2.15pm
Opening Night: Tue 26 Oct, 7.15pm
Lyceum Theatre Performances
-2021-
Matthew Bourne’s The Midnight Bell
Monday 20 – Saturday 25 September
Lyceum Theatre, Sheffield
Mon – Sat - 7.45pm
Thu – 2pm
Sat – 3pm
Opening Night: Tue 21 Sep, 7.45pm
Magic Goes Wrong
Tuesday 12 – Saturday 16 October
Lyceum Theatre, Sheffield
Mon – Sat - 7.30pm
Wed, Thu – 2pm
Sat – 3pm
Opening Night: Tue 12 Oct, 7.30pm
Dial M for Murder
Tuesday 19 – Saturday 23 October
Lyceum Theatre, Sheffield
Tue – Sat - 7.45pm
Wed, Thu – 2pm
Sat – 3pm
Opening Night: Tue 19 Oct, 7.45pm
Northern Ballet’s Merlin
Tuesday 2 – Saturday 6 November
Lyceum Theatre, Sheffield
Mon – Sat - 7.15pm
Thu, Sat – 2pm
Opening Night: Tue 2 Nov, 7.15pm
STOS Theatre Company’s Elf the Musical
Tuesday 16 – Saturday 20 November
Lyceum Theatre, Sheffield
Tue – Sat – 7.15pm
Sat – 2pm
The Addams Family
Tuesday 23 – Saturday 27 November
Lyceum Theatre, Sheffield
Tue – Sat - 7.30pm
Wed, Thu – 2pm
Sat – 3pm
Opening Night: Tue 23 Nov, 7.30pm
Sleeping Beauty
Friday 3 December 2021 - Monday 3 January 2022
Lyceum Theatre, Sheffield
Mornings – 10.15am
Matinees – 1pm/2pm/2.30pm
Evenings – 5.30pm/7pm
Please refer to sheffieldtheatres.co.uk for the full pantomime schedule
Opening Night: Tue 7 Dec, 7pm
-2022-
Swan Lake and The Nutcracker
Monday 10 – Saturday 15 January
Lyceum Theatre, Sheffield
Swan Lake
Mon – Wed - 7.30pm
Wed – 2pm
The Nutcracker
Thu – Sat – 7.30pm
Sat – 3pm
Opening Night: Tue 11 Jan, 7.30pm
Gangsta Granny
Wednesday 19 – Saturday 22 January
Lyceum Theatre, Sheffield
Wed – Sat - 7pm
Thu – 1.30pm
Fri – 10.30am
Sat – 2.30pm
Opening Night: Wed 19 Jan, 7pm
Fat Friends The Musical
Monday 31 January – Saturday 5 February
Lyceum Theatre, Sheffield
Mon – Sat - 7.45pm
Thu – 2pm
Sat – 3pm
Opening Night: Tue 1 Feb, 7.45pm
9 to 5 the Musical
Tuesday 8 – Saturday 12 February
Lyceum Theatre, Sheffield
Tue – Sat - 7.45pm
Thu – 2pm
Sat – 3pm
Opening Night: Tue 8 Feb, 7.45pm
Dreamgirls
Tuesday 8 – Saturday 19 March
Lyceum Theatre, Sheffield
Mon – Sat - 7.45pm
Thu – 2pm
Sat – 3pm
Opening Night: Wed 9 Mar, 7.45pm
Everybody’s Talking About Jamie
Monday 11 – Saturday 16 April
Lyceum Theatre, Sheffield
Mon – Sat - 7.45pm
Wed, Thu – 2pm
Sat – 3pm
Opening Night: Tue 12 Apr, 7.45pm
Chicago
Tuesday 5 – Saturday 9 July
Lyceum Theatre, Sheffield
Mon – Sat - 7.30pm
Wed, Thu – 2pm
Sat – 3pm
Opening Night: Tue 5 Jul, 7.30pm
Studio Theatre Performances
Operation Crucible
Thursday 2 – Saturday 25 September
Studio Theatre, Sheffield
Tue – Sat - 8pm
Thu, Sat – 2.30pm
Sheffield People’s Theatre Young Company and Silent Uproar
W/C Monday 4 October
Studio Theatre, Sheffield
These Hills Are Ours
Tuesday 12 October
Studio Theatre, Sheffield
Tue – 7.45pm
Love N Stuff
Wednesday 13 – Saturday 16 October
Studio Theatre, Sheffield
Wed – Sat - 8pm
Sat – 2pm
Quentin Crisp: A Naked Hope
Tuesday 2 November
Studio Theatre, Sheffield
Tue – 7.45pm
First Time
Friday 19 – Saturday 20 November
Studio Theatre, Sheffield
Fri – Sat - 8pm
Family Vogue Ball
Saturday 27 November
Studio Theatre, Sheffield
Sat – 1pm, 3pm
My Voice Was Heard But I Was Ignored
Monday 29 – Tuesday 30 November
Studio Theatre, Sheffield
Mon - Tue – 7.45pm
Tue – 2pm
The Pixie and the Pudding
Saturday 11 December – Sunday 2 January
Studio Theatre, Sheffield
Mornings – 10.30am
Matinees – 1.30pm
Evenings – 4pm
Please refer to sheffieldtheatres.co.uk for the full schedule
Outdoor Events
The Walk
Friday 29 October
For dates of access performances, please visit sheffieldtheatres.co.uk or email access@sheffieldtheatres.co.uk.
