Josh and Alex, a married couple in an open relationship, invite Darius to share their bed for one night. When a new intimate connection begins to form, all three men must come head to head with one another’s notions of love, intimacy, and commitment.
Premiering in the UK after a multiple-extended hit run Off-Broadway, where it sold more than 23,000 seats in a 69-seat theatre and grossed over $1million, Afterglow, by S. Asher Gelman, is a “steamy stripped-down look at gay intimacy’ (Huffington Post) coming to Southwark Playhouse for a strictly limited seven-week season from Wednesday 5 June to Saturday 20 July.
Press night is Tuesday 11 June at 7.30pm.
The cast features Jesse Fox (Hard Feelings, Finborough) as Darius, Sean Hart (Coriolanus, Titus Andronicus, RSC) as Josh and Danny Mahoney (White Fang, Park Theatre) as Alex.
Directed by Tom O’Brien
Set and Costume Designer Libby Todd
Lighting Designer David Howe
Sound Designer Joel Price
Movement Director Lee Crowley
Casting Director Anne Vosser
General Management David Adkin Limited
Produced by Adam Roebuck
Aaron Quintana and Justin Coffman.
Contains strong language and nudity.
Photos by Darren Bell.
Jesse is an actor, director and co-founder of Engineer Theatre Collective. Theatre credits include: Hard Feelings (Finborough Theatre) and Missing (New Diorama) TV credits include: Foyle’s War and Midsomer Murders (ITV) and Doctors (BBC). Last year his solo-show This Restless State (produced by Fuel) ran at Ovalhouse before touring nationally. His work with Engineer has been twice Offie nominated for Best Director as well as featred in The New
Yorker. Other collaborations include Complicite Creative Learning and regular directing work with the Royal Central School of Speech and Drama.
Theatre credits include: Coriolanus, Titus Andronicus, Anthony and Cleopatra (Royal Shakespeare Company): Mary Queen of Scots Got Her Head Chopped Off (King’s Head); Heather Gardner (Birmingham Rep); Endless Poem (High Tide) and Hamlet (Young Vic);TV and Film credits include: The Good Liar; Pride and Dimensions.
Theatre credits include: Henry Griffith/ Lead Puppeteer in White Fang (Park Theatre); U/S Nick in Who’s Afraid of Virginia Woolf? (Sonia Freidman Productions); U/S Trip Wyeth in Other Desert Cities (The Old Vic); Teddy in Black Tie (Vienna’s English Theatre); Marine 1 in Fallujah (Cockpit Theatre) and Rodolpho in A View From The Bridge (Broadway Studio Theatre).Film credits include: Chris in Love Will Take Over (Salam Khan Films); Brett Cantor in Nicole & O.J. (Project O.J.); Clifford B Thornton III in Florence Foster Jenkins (Qwerty Films) and Chet in The Second Best Exotic Marigold Hotel (Fox Searchlight). TV credits include: Hephaestion in The Secret Life of Alexander the Great (History Television).
S. ASHER GELMAN (Playwright)
S. Asher Gelman is a director, choreographer, actor, dancer, playwright, and producer. Through his production company, Midnight Theatricals, he produced and directed his first original play, Afterglow, which ran for 14 months Off-Broadway at the Davenport Theater. He is currently producing the Off-Broadway musical We Are The Tigers by Preston Max Allen. Gelman’s second play, Safeword, opens Off-Broadway in April. Originally from Chevy Chase, MD, Asher received his Bachelors Degree in Dance and Theater from Bard College in New York in 2006, and his Masters in Fine Arts in Dance from The George Washington University in Washington DC in 2012. From 2006 to 2016, Asher lived in Tel Aviv, Israel, where he
became one of the founders of The Stage, Tel Aviv’s premier English language performing arts organisation, serving as its first Artistic Director from 2013 to 2016. He serves on the Advisory Board of the Richard B. Fisher Center for the Performing Arts at Bard College.
Asher lives in New York City with his husband, Mati.
For more information, visit sashergelman.com
TOM O’BRIEN (Director)
Tom trained at Arts Ed, National Theatre Studio and with Living Pictures. As Director, theatre includes: Fabric (Marlowe Theatre Canterbury/UK Tour/Underbelly - Scotsman Fringe First Winner 2016); Foiled (Edinburgh Festival); Our Friends, The Enemy (UK Tour/Edinburgh
Festival/Theatre Row, New York City); The Dogs of War (Old Red Lion); Remote (Drum – Theatre Royal Plymouth/St Ives Theatre); The Wedding Singer (The Lowry); The Fastest Clock In The Universe (Old Red Lion – recorded for The V&A National Video Archive of Performance); How To Succeed In Business Without Really Trying (The Lowry); Coming Up (Soho Theatre); Judy The Righteous (King’s Head); Christmas Is Miles Away (Hen and
Chickens Theatre). As Resident/Associate/Assistant theatre includes: Miss Saigon
(International Tour); Little Shop Of Horrors (Open Air Theatre Regent’s Park); Half A Sixpence (Noel Coward); Dangerous Lady (Theatre Royal Stratford East); Thoroughly Modern Millie (Watermill); Merrily We Roll Along (Clwyd Theatr); Ruben Guthrie (New Wimbledon Theatre); Little Women (LOST Theatre); A Clockwork Orange and Titus Andronicus (Edinburgh Festival).
ADAM ROEBUCK (Producer)
Adam’s producer and/or investor credits on Broadway include: Groundhog Day: The Musical; The Play That Goes Wrong; The Iceman Cometh; It’s Only A Play; An Act of God;
American Psycho: The Musical; Legally Blonde: The Musical; Godspell; Ghost: The
Musical; The Wedding Singer: The Musical; Macbeth with Alan Cumming; How the Grinch Stole Christmas: The Musical; Chita Rivera: The Dancer’s Life; Allegiance; and Spring
Awakening (2.0). His West End and UK tour credits include: Blithe Spirit starring Angela
Lansbury; Hamlet starring Andrew Scott; Young Frankenstein; INK; OSLO; King Lear with
Ian McKellen; Killer Joe with Orlando Bloom; Glengarry Glenn Ross; and Single Spies. Adam’s award-winning productions to date are his three children: Carmela, Josephine and George.
by S. Asher Gelman
directed by Tom O’Brien
77-85 Newington Causeway
Wednesday 5 June to Saturday
Tuesday 11 June at 7.30pm.
Box Office: 020 7407 0234
Monday - Saturday at 7.30pm
matinees Tuesday and Saturday
Wednesday 5 June - Monday 10 June all seats £14.00
Age restriction 16+
Contains strong language