Kwaku Mills (End of Eddy, UK Tour; Urban Myths: The Trial of Joan Collins, Sky Atlantic) has been cast in this exciting revival of Arinzé Kene’s good dog – he will bring to life this true epic, retelling the stories of multiple characters, families and years. Directed by tiata fahodzi’s Artistic Director Natalie Ibu, good dog will open at Watford Palace Theatre before touring to venues including Sheffield Theatres, Northern Stage, Stephen Joseph Theatre, Birmingham REP, North Wall Arts Centre and Salisbury Playhouse.

Mum’s promised him that bike so even when school or homelife bites, he knows to keep his chin up, his head down and his shirt clean. No harsh word, no sudden push to the ground will distract him from growing up to be a good man. Because in the end, everyone who’s good gets what they deserve. Don’t they?

Set during the early noughties, good dog tells the story of growing up in a multi-cultural community, and the everyday injustices that drive people to take back control. When prejudiced voices are amplified, the arts must remind us of the humans obscured within the propaganda storm.

The inspiration for Kene’s delicately observed and fearlessly-told play stemmed from a desire to imagine what drove his friends and community to riot in the summer of 2011 – in London and beyond – but it has become a chronicle of a community struggling to survive and fighting back.

Kwaku Mills comments, I’m beyond excited to be joining good dog. I’ve admired Arinze‘s work for a while now, so it’s a real honour to get to perform his words. It’s such a vibrant, intelligent urgent play, and a gift of a character to work on. It’ll be my first time performing at all the venues on the tour so I look forward to getting the show on the road along with Natalie and the rest of the team!

Commenting on reviving good dog for 2019, Natalie Ibu says, It’s a real thrill to be able to bring back Arinzé’s play - an astonishing love letter to the people and places that leave their mark on your life - and tour it to more places, meeting more people. In the wake of the Brexit vote, it was a troubling thesis about what happens when you are unseen and unheard, and this only gets louder as time goes on. At tiata fahodzi we pride ourselves in seeking out stories that see those who sit outside the singular narrative. We refuse to oversimplify the African diaspora and, instead, relish the complexity. We want to multiply the narratives - about ourselves and each other - and debate the mixed experience of Britain today and tomorrow.

The 2019 national tour of good dog is supported by Arts Council England.

Running time 2 hours 25 minutes (including an interval)

Twitter @tiatafahodzi, @tara_finney, #goodtiata

Playwright Arinzé Kene
Director Natalie Ibu
Designer Amelia Jane Hankin
Lighting Designer Zoe Spurr
Sound Designer Helen Skiera
Associate Director Anastasia Osei-Kuffour
Associate Lighting Designer Chris May
Associate Sound Designer Grzegorz Staniewicz
Producer tiata fahodzi and Tara Finney Productions, in association with Watford Palace Theatre

Ages 12+

Tour Dates

Thurs 31st Jan – Sat 2nd Feb Watford Palace Theatre, Watford

Tues 5th Feb The Quarry Theatre, Bedford

Thurs 7th – Sat 8th Feb Crucible Studio, Sheffield

Sat 9th Feb Northern Stage, Newcastle

Tues 12th – Wed 13th Feb Stephen Joseph Theatre, Scarborough

Thurs 14th – Sat 16th Feb Traverse Theatre, Edinburgh

Sat 23rd Feb Folkestone Quarterhouse, Folkestone

Tues 26th – Wed 27th Feb Stantonbury Theatre, Milton Keynes

Thurs 28th Feb RADA, London

Tues 5th Mar Assembly Hall Theatre, Tunbridge Wells

Wed 6th – Sat 9th Mar The Birmingham Repertory Theatre, Birmingham

Mon 11th – Tues 12th Mar The North Wall Arts Centre, Oxford

Wed 13th Mar E.M. Forster Theatre, Tonbridge

Thurs 14th – Sat 16th Mar Salisbury Playhouse, Salisbury

Wed 20th – Sat 23rd Mar Bernie Grant Arts Centre, London

Kwaku Mills
Kwaku Mills has recently graduated from the Royal Academy of the Dramatic Arts. Theatre credits include: Eddy in End of Eddy (UK Tour). Television credits include: Simon in Urban Myths: The Trial of Joan Collins (Sky Atlantic). Credits whilst training include; Raleigh in Journey’s End, Ward in Women Beware Women, Benjamin in Easter and Colin Powell in Stuff Happens.

Arinzé Kene

Arinzé Kene was named Most Promising Playwright at the Off-West End Theatre Awards for Estate Walls in 2011, which was also nominated for Best New Play. Arinzé was named as a Screen International UK Star of Tomorrow in 2013 and was invited to take part in the Channel 4 Screenwriting Course in 2012. Arinzé was a member of the Young Writers’ Programme and Writers’ Super Group at the Royal Court Theatre and has been artist on attachment at the Lyric Hammersmith and the National Theatre Studio. Other writing credits include Misty (Bush Theatre & West End, 2018); God’s Property (Soho Theatre, 2013); Little Baby Jesus (Oval House Theatre, 2011); Wild Child (Royal Court, 2011).

Natalie Ibu

Natalie Ibu is the Artistic Director of tiata fahodzi. For the company, directing credits include good dog, bricks and pieces, I know all the secrets in my world, tiata delights 15, here and mango. Other directing credits include readings and productions at the Riverside Studios, Young Vic, Lyric, Southwark Playhouse, Southbank Centre, The Old Vic Tunnels, Theatre503, The Gate, Latitude, HighTide, BAC, Oran Mor, Traverse, Royal Court, ATC at the Young Vic, OVNV at The Old Vic, Waterloo East and The Vineyard Theatre in New York, Royal Lyceum Theatre, Citizens’, The Arches, Contact and Nottingham Playhouse.

tiata fahodzi

tiata fahodzi creates inclusive theatre that illuminates the mixed and multiple experience of the African diaspora in Britain today. Their work starts with the contemporary British African experience but reaches beyond to ask everyone, what does it mean to be a contemporary Briton, now? Past productions include mixed brain by ITV Benidorm’s Nathan Bryon, bricks and pieces by award-winning Charlene James, i know all the secrets in my world by Natalie Ibu and belong by award-winning Bola Agbaje who cites tiata fahodzi’s production of the gods are not to blame in 2005 as her inspiration to write.

Tara Finney Productions

Tara Finney Productions is an independent theatre company, producing theatre in London, on tour and internationally, across the commercial and subsidised sectors. TFP specialises in new writing and has a number of scripts in development including an adaptation of Howl’s Moving Castle and new musical The Canary Girls co-written by Ivor Novello Award winner Tim
Kellett. TFP’s productions have been nominated for over 25 awards including Off West End Awards, UK Theatre Awards, the Susan Smith Blackburn Award and the Chita Rivera Awards, New York.