The Old Vic today announces that David Haig will join Daniel Radcliffe and Joshua McGuire in Rosencrantz &
Guildenstern are Dead.
Half a century after its premiere on The Old Vic stage, Rosencrantz & Guildenstern are Dead, the play that made a young Tom Stoppard’s name overnight, returns to The Old Vic in its 50th anniversary celebratory production.
Against the backdrop of Shakespeare's Hamlet, this mind-bending situation comedy sees two hapless minor characters, Rosencrantz (Daniel Radcliffe) and Guildenstern (Joshua McGuire), take centre stage. Increasingly out of their depth, the young double act stumble their way in and out of the action of this iconic drama. In a literary hall of mirrors, Stoppard’s brilliantly funny, existential labyrinth sees us witness the ultimate identity crisis.
Daniel Radcliffe plays Rosencrantz. Daniel is a stage and screen actor whose most recent work includes the films Now You See Me 2, Swiss Army Man and Imperium, as well as the production of Privacy (Donmar Warehouse on Broadway). Forthcoming work includes Jungle (slated for release in 2017). Theatre credits include The Cripple of Inishmaan (Noel Coward Theatre and Broadway), How to Succeed in Business Without Really Trying (Broadway) and Equus (Gielgud Theatre and Broadway). Film work includes Horns (2013), What If (2013), Kill Your Darlings (2013), The Woman in Black (2012) and the eight Harry Potter films. Television includes The Gamechangers (BBC telefilm), A Young Doctor’s Notebook, Extras and voice work in The Simpsons, Robot Chicken and BoJack Horseman.
Joshua McGuire plays Guildenstern. Joshua is an actor whose work spans theatre, television and film. Theatre credits include Future Conditional (The Old Vic), The Ruling Class (Trafalgar Studios), Amadeus (Chichester), Privacy (Donmar Warehouse), The Magistrate (National Theatre), Posh (Royal Court and West End), 66 Books
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(Bush Theatre), Hamlet (Shakespeare’s Globe), Hay Fever (Rose Kingston). Film work includes Old Boys (2017), Claudio in The Complete Walk: Measure for Measure (2016), Bees Make Honey (2016), Cinderella (2015), Mr Turner (2014), Get Santa (2014) and About Time (2013). TV includes Lovesick series 1 and 2, which is currently on Netflix, Love, Nina, Siblings, You, Me and Them, A Young Doctor’s Notebook, The Hour and Misfits.
David Haig plays The Player. David’s most recent theatre credits include Blue/Orange (Young Vic), Guys & Dolls (Savoy Theatre, Olivier Award nomination), and Someone Who’ll Watch Over Me at Chichester Festival Theatre where previous credits include Pressure which was also written by David and Yes, Prime Minister, which transferred to the West End. Other theatre credits include The Madness of George III (Theatre Royal Bath and West End, Olivier Award nomination), Mary Poppins (Prince Edward Theatre, Olivier Award nomination), Hitchcock Blonde (Royal Court and West End), Donkey’s Years (Comedy Theatre, Olivier Award Nomination), Art (Wyndham's and Broadway), and Our Country's Good at the Royal Court, for which David won the Olivier Award for Best Actor. Television credits include The Witness for the Prosecution, The Thick Of It, Mo, The 39 Steps, My Boy Jack, Talking Heads and The Thin Blue Line. Film credits include Florence Foster Jenkins and Four Weddings and a Funeral.
Other cast includes
Luke Mullins as Hamlet (Endgame with the Melbourne Theatre Company, Waiting for Godot at The Barbican Centre), Marianne Oldham as Gertrude (The Boy in the Striped Pyjamas at Chichester Festival Theatre, Sons Without Fathers at The Arcola) and Helena Wilson as Ophelia (Romeo and Juliet, OUDS/Thelma Holt International Tour).
Tom Stoppard’s most recent play is The Hard Problem. Other plays include The Real Inspector Hound, After Magritte, Jumpers, Travesties, Every Good Boy Deserves Favour (with André Previn), Dirty Linen, New-Found- Land Dogg’s Hamlet, Cahoot’s Macbeth, Night and Day, The Real Thing, Hapgood, Arcadia, Indian Ink, The Invention of Love, The Coast of Utopia and Rock’n’Roll. Translations and adaptations include Tango, Undiscovered Country, On the Razzle, Rough Crossing, Dalliance, The Seagull, Henry IV, Ivanov, The Cherry Orchard, The House of Bernarda Alba and Large Desolato. He has written eight Evening Standard Award-winning plays and five of his plays have won Tony Awards.
Radio plays include Darkside (with Pink Floyd), If You’re Glad, I’ll Be Frank, Albert’s Bridge (Italia Prize), Where Are They Now?, Artist Descending A Staircase, The Dog It Was That Died and In The Native State.
Television includes A Separate Peace, Squaring the Circle, Professional Foul (BAFTA and Broadcasting Press Guild Awards) an adaptation of Jerome K Jerome’s Three Men in a Boat and most recently an adaptation of Ford Madox Ford’s Parade’s End (BBC/HBO).
Screenplays include Anna Karenina (2012), The Romantic Englishwoman (1975), Despair (1978), The Human Factor (1979), Brazil (1985), Empire Of The Sun (1987), The Russian House (1990), Billy Bathgate (1991), and Shakespeare In Love (with Marc Norman, 1998, Academy Award, Golden Globe, Broadcast Film Critics and American Guild Awards for Best Screenplay). He directed and wrote the screenplay for the film of Rosencrantz & Guildenstern are Dead (Venice Film Festival Prix d’Or, 1990).
David Leveaux is a director who has worked extensively in London and on Broadway. He recently completed his first feature film, The Exception (2016) and recent work includes directing Plenty for the Public Theatre, New York.
Credits include Closer (Donmar Warehouse), Romeo and Juliet (Broadway), Arcadia (West End and Broadway, Tony nomination for best revival), Cyrano de Bergerac (Broadway), Jumpers (National Theatre and Broadway, Tony nominations for outstanding direction and best revival), The Real Thing (Donmar Warehouse and Broadway, Tony Award for best revival, nominated for outstanding direction), Fiddler on the Roof (Broadway, Tony nomination for best revival), Nine (Donmar Warehouse and Broadway, Tony Award for best revival, nominated for outstanding direction), The Glass Menagerie (Broadway), Anna Christie (Broadway, Tony Award for best revival, nominated for outstanding direction), No Man’s Land (Almeida), Betrayal (Almeida and Broadway, Tony nomination for best revival), Electra (Donmar Warehouse and Broadway, Tony nomination for best revival), Moonlight (Almeida), The Distance From Here (Almeida), Romeo and Juliet (RSC), A Moon for the Misbegotten (Riverside, West End and Broadway, Tony nominations for outstanding direction and best revival), The Late Middle Classes (Donmar Warehouse), Sinatra Live at the London Palladium, The Father (National Theatre), ‘Tis Pity She’s a Whore (RSC), Rudolph (Vienna), Tales of Ballycumber and The Three Sisters (Abbey Theatre, Dublin), The Turn of the Screw (Scottish Opera), The Marriage of Figaro and Salome (ENO).
Box Office 0844 871 7628 oldvictheatre.com
The Old Vic, The Cut, London SE1 8NB
ROSENCRANTZ & GUILDENSTERN ARE DEAD
By Tom Stoppard
Sat 25 Feb – Sat 29 Apr 2017
Mon - Sat 7.30pm; Wed & Sat 2.30pm
Captioned Performance: Thu 6 Apr 7.30pm
Audio Described Performance: Tue 4 Apr 7.30pm, touch tour 6pm
TICKETS: £12, £16, £21, £30, £55, £65
For information regarding Premium Seats please call the box office
PwC £10 Previews: Half of all seats priced at £10 for the first 5 previews, released 5 weeks in advance Senior Citizens: Best available seats for £30 for all matinee performances only
School Groups 10+: £10 for Mon - Wed eves & mid-week matinees
Groups 10+: £10 off for Mon - Thu eves & mid-week matinees
Disabled Patrons: £21 for all performances